Showing posts with label Publicity. Show all posts
Showing posts with label Publicity. Show all posts

Thursday, July 5, 2012

So Far in 2012...


I know that every time I update my blog I pretty much say the same things:  “The past few months have been insane!” or “I am so inspired by this project and the people around me” or “I’m doing new and different things that are invigorating and fulfilling!”  But when I sat down to write this post, the same sentences ran through my head.  There’s no denying it: I love my job.

In the past few months, I have done so many things that are outside my comfort zone; things that I never thought I would be doing.  But I had no other choice but to dive right in and see what happens.  It’s scary at first to do something you’ve never done but at the same time, accomplishing the task makes you feel proud and capable.  I think that’s what drove me these past few months – the sense of pride that follows an especially arduous or uncomfortable task; the feeling that no matter what situation life throws at you, you can succeed.  What a wonderful feeling!

My life in 2012 so far…

1.     Classic Incantations tour – It has been so long since I’ve performed on stage (about 4 years).  I was terrified!  Performing is something you have to do continuously; otherwise you become rusty and nervous.  The things that happen on stage that are out of your control sometimes screw up the whole performance because you can’t think of anything else!  For example, in Delhi, the stage was too small to hold a whole orchestra and the soloists.  So the crew assembled a very wobbly platform at the front of the stage and I had to walk through the orchestra pit to get there.  I was wearing 3 ½ inch heels and almost fell over more than once walking up and down that thing.  On top of that, the crew left the backstage doors open and it was extremely cold.  I was shivering the whole time and felt miserable after the performance.  But picked myself back up and felt much better in Kolkata.  These things happen and you have to be prepared for anything. 

2.     The Oprah Party – Yes.  My friends.  I met Oprah at a party at the Godrej residence in Bombay!  She was coming to India to meet ARR and wanted to hear some of the talent from KMMC.  I conducted the choir while they sang a gospel piece (taught by a fellow teacher named Roshni).  The party was incredible and glamorous and the who’s who of Bollywood were all present.  I wish I could actually talk about what happened, but let’s say it was not fun, and it was not pleasant.  It’s not fun to be treated like a performing circus monkey.  That’s all I will say.  BUT I did get to meet Oprah.  That made up for everything!

3.     Recording for the Oscars – I had the most amazing opportunity to conduct the KMMC Chamber Choir at Yash Raj studios.  They sang a very beautiful ambient version of ‘What a Wonderful World’ for the ‘In Memoriam’ part of the Oscars that shows video clips of actors who passed away that year.  I was super excited to work with sound engineer Alan Meyerson and standing there in the large orchestra recording room, wearing headphones, and waving my little pencil around was surreal and utterly thrilling.  The students were filmed singing.  What a wonderful experience!

4.     Writing film synopsis’ – ARR has been bouncing around a few film ideas and needed someone to write the synopsis which includes the basics: logline, high concept pitch, settings, locations, characters, and plot.  I was thrilled to get this project because I haven’t written anything significant in a long time.  (I was one of those crazy people in high school and college who loved writing papers).  But I was simultaneously unsure about the whole thing.  First of all, I had no idea what all of those terms were or how they should be written.  It took some time asking friends who are in the business and doing research online to understand what exactly was needed from me.  On top of that, the subject matter of the film was so bizarre and out of my realm of knowledge and experience, I had to do a lot of research to execute the project.  But I did it and the first one was approved!  He liked my writing style and although many versions and edits had to be written (by many, I mean MANY), I learned so much from the whole experience and it left me feeling confident and invigorated.  The first film was approved and is on its way to production at the moment.  Who would’ve thought?  I have now been assigned to two more films!

5.    Current project – I can’t talk about it yet, but I had to basically compose, arrange, program, hold auditions, sing and train others by myself in a genre that is completely outside my comfort zone.  As a learned Western Classical musician, this was a task that was extremely daunting but we started about a month ago and I’ve been in the recording studio non-stop for the past two weeks and day-by-day the process is getting easier.  I’ve had to stop and start over many many times because it wasn’t quite what ARR was looking for (There were almost 10 prototypes before this current one).  But it has definitely been an adventure and I’ve learned so much in the past few weeks!

I know that this is just the beginning.  More projects are going to be thrown my way and they’re most likely going to be difficult and frustrating.  But how wonderful it feels to know you’ve succeeded!  The feeling of accomplishment, the pride, the happiness: it’s really the best feeling in the world.  I sometimes forget how lucky I am. 

Knock on wood, let’s hope for an even more adventurous 2nd half of 2012!

Thursday, February 23, 2012

Classic Incantations Backstage

Photo with Mr. Boss after the Mumbai concert!

 With Matt Dunkley!

What an incredible experience...

Monday, February 13, 2012

Classic Incantations Photos

Some photos from the event!
Press photo
Thank you Varun Nair, and PADeepak for the photos :)
KMMC Chamber Choir.  My babies!
Passage 
Passage
Spot ARR!  Photo taken after Bombay concert
Lord of the Rings with Arun Kamath
Elizabeth: Golden Age
Kiss from Matt Dunkley
Mausam & Escape
Passage 




Friday, February 10, 2012

Sunday, February 5, 2012

Classic Incantations Review

I found an amazing review of the concert tour 'Classic Incantations' by one of ARR's biggest fans.  He came to the Chennai concert and not only loved it, but wrote an amazing review that included audio clips!

Click on the link for the full review: http://www.backgroundscore.com/2012/01/classic-incantations-concert-review.html

Some excerpts from the blog:


PASSAGE SUITE
By the end of the first three pieces - Warriors of Heaven and Earth, Lagaan and Mangal Pandey, anyone who haven’t seen the films and doesn’t know the purpose of the music, is definitely bound to come to a conclusion that all orchestral pieces of A.R.Rahman sound similar and might feel that the concert is already turning monotonous. That is why it is a brilliant idea to have Passage Suite as the next piece, which is far removed from the bangs, drum rolls and bombastic brass sounds of the first three period film pieces. Passage exhibited the tender tones of the orchestra and what it takes for a Soprano to raise and soar over a 100-piece orchestra. Kavita Baliga, the soprano gave an exquisite rendition of Aria from Passage, with her voice rendering a wide array of emotions through crests and troughs, straight notes and vibratos in A.R.Rahman’s invigorating melody. Waltz, the end credits music from the film Passage followed, but surprisingly, with Kavita Baliga singing some Italian verses along with the orchestra which weren’t present in the original. Waltz is an all out western classical composition from A.R.Rahman with not a note of Indianness in it.


LORD OF THE RINGS SUITE
With the serene Canyon (instrumental version of “If I Rise” song) theme and excerpts from Acid Darbari 127 Hours suite became the Concert’s quietest piece. It was an exceptionally moving performance by the Orchestra. The Orchestra was just crouching low during 127 Hours suite before plunging back in action in full force for the Lord of the Rings Suite. Lord of the Rings Suite is the only piece in the concert that I wasn’t much familiar with. The performances by Arun H.K, Kavita Baliga, K.M Choir and Babelsberg Orchestra were absolutely magical and transported me to a different world. It was the most colorful and vibrant of all the pieces performed in the concert and I instantly fell in love with the piece. 


Read the whole review!

Thursday, February 2, 2012

Matt Dunkley's blog


This was the blog entry written by Matt Dunkley after 'Classic Incantations'.

It's been an amazing couple of weeks in India with the German Film Orchestra Babelsberg. Travelling around this country, you get a real sense of the indomitable spirit of the people, and of the huge diversity of this sub-continent. The concerts have seen great performances from the orchestra, choir and soloists, and have largely been met with enthusiasm and respect for the ambitions of this wonderful project. It took us all a while to realise that muted applause didn't mean that the audience was unhappy with our concerts, and that this is quite normal in Indian classical performance, though the response in A. R. Rahman's home city of Chennai was simply overwhelming. What a night! These concerts have been an important first step in re-introducing a western classical tradition into the Indian music landscape, and one that I know AR is passionate about.
What has been so special about the tour is watching the growing respect and friendship between the German musicians of the orchestra and our lovely choir from maestro Rahman's KM Music Conservatory. A real cross-cultural exchange that is at the heart of the 'Germany and India 2011-2012: Infinite Opportunities' project. For an amateur student choir, they have risen to the considerable challenge of performing with a professional orchestra and have grown in confidence concert by concert.
Last Friday was another special day, when some small groups from the orchestra visited the KM Music Conservatory to perform for the students. First, we were treated to a short concert by a string group that had only been studying for one year. The concentration on their young faces and the standard they have already attained impressed us all. The highlight of the visit was a truly spellbinding performance by the student Qawwali ensemble. Just magical.
Our last concert was performed on Sunday night to an enthusiastic audience of over 6000 people, at the Palace Grounds in Bangalore. It's such a beautiful city and was a fitting end to this remarkable trip. 
We have all grown to love "Incredible India", and I for one can't wait to come back again.
_____________________________
Matt Dunkley
Conductor/arranger
http://www.imdb.com/name/nm0242161/
http://www.mattdunkley.com

Monday, January 9, 2012

OMG!

I just got the most amazing email from boss in the world!

Alan Meyerson, a scoring mixer and sound engineer who provides excellent services to the American film and music industries was chillin' at Mr. Rahman's house in LA with his father who said some wonderful things about me!  Alan Meyerson has done sound mixing for huge blockbuster films like Gladiator, Pirates of the Caribbean, Inception, Kung fu Panda, etc.  To hear him and his father say anything about me is just ridiculously flattering.  The fact that they even know me is unbelievable.  And to know that they felt like they should say something to me is incredible.  I have no words.


Saturday, January 7, 2012

'Classic Incantations': Message from Babelsberg

A message from the conductor of the German Film Orchestra Babelsberg regarding the project with A.R. Rahman.  When we started rehearsing for this project in September, the team from Babelsberg came to visit KMMC and hear the choir.  We had the privilege of meeting Mr. Klaus Peter Beyer and he spoke to the choir members about the project and about the history and ties between Germany and India.  He was very impressed with what he heard!  This video was shown at the press conference last week.

Friday, January 6, 2012

'Classic Incantations' Press Conference

The German Film Orchestra Babelsberg, will be touring India in the last week of January. They will be playing academy award winner AR Rahman`s popular tunes from films like Roja, Laagan, Bombay, Swadesh, Mangal Pandey,Endhiran etc.

The event has been organised to coincide with the centenary year of Germany`s oldest film studio Babelsberg and the centenary of Indian cinema starting with Pundlik, the first story film that was released in 1942.

Titled `Classic Incantations`, the concert will kick off in Mumbai on January20, before traveling to Delhi, Kolkata, Chennai and finally Bengaluru.

AR Rahman said at the press meet: “Background music is an integral part of this concert. We are helping people see an orchestral performance and understand how music is made for a scene.”
Images & Text: Moviebuzz 

Thursday, January 5, 2012

Classic Incantations Promo 2!



It's me! It's me! 'Aria' from the short film Passage by Shekhar Kapur, music by A.R. Rahman. 

Tuesday, January 3, 2012

'Classic Incantations: The Babelsberg Film Orchestra plays A.R. Rahman'

Starting on January 20th, over a 100 musicians from different parts of the world will come together on a 5-city tour across India to perform the orchestral scores of A.R. Rahman.

For the past four months, I have been training and rehearsing with the KMMC Chamber Choir to prepare them to sing in this event (28 alumni as well as current students) and I have been preparing to sing three songs for it!

Check out the promo!

Sunday, September 26, 2010

Maaralente

A few months ago, I transcribed some choral samples for AR for a Telagu film called 'Komaram Puli' and conducted the KMMC Chamber Choir to record on the third track called 'Maaralente'. It was a great experience and I got a chance to improve my ability to take musical dictation. Man, it's tough! Check it out!




Monday, September 13, 2010

Mugdha Hasabnis

UPDATE: Mugdha mentioned my name on the Sa Re Ga Ma Pa website! Check it out!
http://srgmpss.zeetv.com/mugdha-hasabnis/

I am very proud of my student Mugdha Hasabnis who is doing a wonderful job singing on the 'American Idol' of India - Sa Re Ga Ma Pa! Here are some clips of her singing:





Cross your fingers for her! I am!

Wednesday, March 24, 2010

Interview published in 'Espresso'

Hey guys, sorry it's been a while since my last post. Life has been crazy as usual here in Madras, but I also got the flu from hell and was out for about 2 weeks hugging my blanket and coughing up a lung. Anyhow, this is the second interview that was published about me after the TEDx event. ON A HIGH NOTE
Bel Canto - Kavita Baliga may not be a native of the city, but with her magical voice, she is currently a part of A.R. Rahman's musical conservatory.  A survivor by all means, the immensely talented opera singer opens up to Divya Nair on her journey over the years.

On her interest in opera singing
My Hindustani teacher suggested that I join my high school choir to get an idea of both styles of music; East and West.  I absolutely adored my choir teacher, and after starting private voice lessons, I eventually applied to university for vocal performance.  My inspiration when I was really young was probably Julie Andrews (which sounds totally cheesy) but The Sound of Music was my favourite film till I was in my teens.  Then when I saw Phantom of the Opera by Andrew Lloyed Webber in San Francisco, I was totally hooked.

On battling cancer at an early age
The experience of going through cancer treatment was ironically the most inspiring and motivating factor in my life.  It made me realize the true incredible capacity of human beings.  Treatment really motivated me to live each day as if it were my last and it really encouraged me to LIVE.  I tried to do things that were outside the box - things that would have made me feel uncomfortable before treatment, like acting in UCI's production of The Vagina Monologues which ended up being an unforgettable experience.

The experience of working in Rahman's Music Conservatory
It's been the most fulfilling and exciting experience of my life.  My favourite experience working with AR thus far was on Shekhar Kapur's short film Passage.  I sung the aria from that film at the premiere in Venice, Italy, during the Venice Film Festival.  The whole experience was overwhelming and to be honest, completely terrifying.  I loved every minute of it!  Since I've been in Chennai, I've done a lot of background work for AR's film scores and if you ever hear an ethereal operatic voice in the background of any of his Hindi or Tamil songs, that's probably me.

On opera singing in Chennai
Although for the most part it's quite a foreign genre for people in India, the audience for western classical music is definitely developing as we speak.  Also, I was shocked at how quickly some of my students have picked up the operatic style of singing.  Students have such a fantastic ear to pick up new styles and genres.  Once people are more exposed to western classical music, fantastic things are going to happen not only in the western classical world, but also with the possibility of fusion music and collaborations.

Future Plans
I definitely believe in taking one day at a time.  I will stay in the same place as long as my criteria are being fulfilled which are:  
A. Am I benefiting others?  
B.  Am I learning from the experience and benefiting from it myself? 
C.  Is my career progressing?  
If the answer is yes to all of the above, I'll stay.  If at some point it starts to shift, I'll leave. Right now, it's a happy and firm YES.


Monday, January 11, 2010

Interviews


After the TEDIndia Fellows were announced, and it came out that I work for A.R. Rahman, and especially after I gave my TEDx Chennai speech, I was approached by quite a few people asking if they could do interviews.  The following is the first interview that appeared in the "What's HOT" section of the Chennai Times on Jan. 8 2010.

SINGING A DIFFERENT TUNE

What's Hot talks to western classical singer Kavita Baliga, who is currently a faculty at AR Rahman’s music conservatory.

M SUGANTH
Times News Network


How did you come to be involved with KM Music Conservatory?
I speak Konkani. Every couple of years, the Konkani Association of California organise cultural conventions where Konkanis from all over North America come together and participate in discussions, seminars and programmes designed to promote Konkani/Indian culture for second generation Konkanis. During one such convention, they had invited “Guitar” Prasanna to perform. Since he lives in Boston and I was in Boston at the time, we came together to collaborate and perform for this event. Prasanna had worked on the film Lagaan with AR Rahman a couple of years earlier. After the convention, Prasanna went to Chennai where AR had mentioned to him that they were looking for a western voice teacher for his conservatory. Prasanna recommended me for the position and a week and a half later, I was in India!

Was teaching always a passion and what does teaching music mean to you?
At first, I thought teaching would be an interim activity and that my real focus would be on performing. Now that I’m teaching full-time, I’m realising how much I love it and how incredibly fulfilling it is to give a part of yourself to others and see them take it and flourish with it. I learned very quickly that teaching music is not like teaching math or science. It is much more abstract and requires a lot of self-awareness, a good voice, and a good ear. I love the fact that we are bringing something to India that hasn’t really existed here before. That, in itself, is daily motivation for me.

How would you rate the awareness level of Indian youngsters with respect to western classical music?
Oh, there’s absolutely zero awareness. Almost 99 per cent of my students had no prior exposure to western classical music; not only that, most of them had never even heard of the genres involved within that title. For example, if I mentioned the words ‘Opera’ or ‘Lieder’, I would be met with a blank. The only western music these students had heard before is what we call American bubblegum pop.

How did you become a part of 'Passage'? Could you share your experiences working with Shekhar Kapur?
I worked directly with AR on the aria for Passage. I met Shekhar much later, at one of the rehearsals for my performance at the premiere of the film in Venice.  I don’t know him well, but what I saw of him, I absolutely loved. He seemed totally and utterly incapable of small talk and was constantly speaking in the abstract. I’m uncomfortable and awkward with small talk myself; so, it was a welcome surprise. It’s so refreshing to have real conversations with people.

How is it working with AR Rahman and what do you think is so unique about him as a composer?
His style of working is not nearly as rigid as most western composers. First of all, he doesn’t put anything down on paper. Most of the time, he plays me something or sings me something and asks me to repeat it, or says something like ‘Can it be more flowy?’, and just directs me as we go along. When I worked with him on the aria, I found myself suggesting things and then thinking to myself, ‘Wait, should I be doing that? Am I way out of line right now?’ But he never makes you feel like that. He truly makes you feel as if you’re both collaborating on the project, not as if you’re working for him. And that was the case before as well as after he won the Oscar. I think that is truly unique for someone in his position.

You are involved in other creative arts as well. How do you manage to be a multi-tasker?
I absolutely love working like hell. I love being busy and seeing the fruits of my labor. The arts are like a form of meditation for me. They keep me sane. I feel calm as I go into a zone when I’m singing, taking pictures, painting, or even cooking for that matter. I love that when I’m doing these things my mind can just go blank.