Thursday, July 5, 2012
So Far in 2012...
Thursday, February 23, 2012
Monday, February 13, 2012
Friday, February 10, 2012
Sunday, February 5, 2012
Classic Incantations Review
Click on the link for the full review: http://www.backgroundscore.com/2012/01/classic-incantations-concert-review.html
Some excerpts from the blog:
PASSAGE SUITE
By the end of the first three pieces - Warriors of Heaven and Earth, Lagaan and Mangal Pandey, anyone who haven’t seen the films and doesn’t know the purpose of the music, is definitely bound to come to a conclusion that all orchestral pieces of A.R.Rahman sound similar and might feel that the concert is already turning monotonous. That is why it is a brilliant idea to have Passage Suite as the next piece, which is far removed from the bangs, drum rolls and bombastic brass sounds of the first three period film pieces. Passage exhibited the tender tones of the orchestra and what it takes for a Soprano to raise and soar over a 100-piece orchestra. Kavita Baliga, the soprano gave an exquisite rendition of Aria from Passage, with her voice rendering a wide array of emotions through crests and troughs, straight notes and vibratos in A.R.Rahman’s invigorating melody. Waltz, the end credits music from the film Passage followed, but surprisingly, with Kavita Baliga singing some Italian verses along with the orchestra which weren’t present in the original. Waltz is an all out western classical composition from A.R.Rahman with not a note of Indianness in it.
LORD OF THE RINGS SUITE
With the serene Canyon (instrumental version of “If I Rise” song) theme and excerpts from Acid Darbari 127 Hours suite became the Concert’s quietest piece. It was an exceptionally moving performance by the Orchestra. The Orchestra was just crouching low during 127 Hours suite before plunging back in action in full force for the Lord of the Rings Suite. Lord of the Rings Suite is the only piece in the concert that I wasn’t much familiar with. The performances by Arun H.K, Kavita Baliga, K.M Choir and Babelsberg Orchestra were absolutely magical and transported me to a different world. It was the most colorful and vibrant of all the pieces performed in the concert and I instantly fell in love with the piece.
Read the whole review!
Thursday, February 2, 2012
Matt Dunkley's blog
Monday, January 9, 2012
OMG!
Alan Meyerson, a scoring mixer and sound engineer who provides excellent services to the American film and music industries was chillin' at Mr. Rahman's house in LA with his father who said some wonderful things about me! Alan Meyerson has done sound mixing for huge blockbuster films like Gladiator, Pirates of the Caribbean, Inception, Kung fu Panda, etc. To hear him and his father say anything about me is just ridiculously flattering. The fact that they even know me is unbelievable. And to know that they felt like they should say something to me is incredible. I have no words.
Saturday, January 7, 2012
'Classic Incantations': Message from Babelsberg
Friday, January 6, 2012
'Classic Incantations' Press Conference
The event has been organised to coincide with the centenary year of Germany`s oldest film studio Babelsberg and the centenary of Indian cinema starting with Pundlik, the first story film that was released in 1942.
Titled `Classic Incantations`, the concert will kick off in Mumbai on January20, before traveling to Delhi, Kolkata, Chennai and finally Bengaluru.
AR Rahman said at the press meet: “Background music is an integral part of this concert. We are helping people see an orchestral performance and understand how music is made for a scene.”
Images & Text: Moviebuzz
Thursday, January 5, 2012
Classic Incantations Promo 2!
It's me! It's me! 'Aria' from the short film Passage by Shekhar Kapur, music by A.R. Rahman.
Tuesday, January 3, 2012
'Classic Incantations: The Babelsberg Film Orchestra plays A.R. Rahman'
For the past four months, I have been training and rehearsing with the KMMC Chamber Choir to prepare them to sing in this event (28 alumni as well as current students) and I have been preparing to sing three songs for it!
Check out the promo!
Sunday, September 26, 2010
Maaralente
Monday, September 13, 2010
Mugdha Hasabnis
http://srgmpss.zeetv.com/mugdha-hasabnis/
I am very proud of my student Mugdha Hasabnis who is doing a wonderful job singing on the 'American Idol' of India - Sa Re Ga Ma Pa! Here are some clips of her singing:
Cross your fingers for her! I am!
Wednesday, March 24, 2010
Interview published in 'Espresso'
ON A HIGH NOTEMonday, January 11, 2010
Interviews

SINGING A DIFFERENT TUNE
What's Hot talks to western classical singer Kavita Baliga, who is currently a faculty at AR Rahman’s music conservatory.
M SUGANTH
Times News Network
How did you come to be involved with KM Music Conservatory?
I speak Konkani. Every couple of years, the Konkani Association of California organise cultural conventions where Konkanis from all over North America come together and participate in discussions, seminars and programmes designed to promote Konkani/Indian culture for second generation Konkanis. During one such convention, they had invited “Guitar” Prasanna to perform. Since he lives in Boston and I was in Boston at the time, we came together to collaborate and perform for this event. Prasanna had worked on the film Lagaan with AR Rahman a couple of years earlier. After the convention, Prasanna went to Chennai where AR had mentioned to him that they were looking for a western voice teacher for his conservatory. Prasanna recommended me for the position and a week and a half later, I was in India!
Was teaching always a passion and what does teaching music mean to you?
At first, I thought teaching would be an interim activity and that my real focus would be on performing. Now that I’m teaching full-time, I’m realising how much I love it and how incredibly fulfilling it is to give a part of yourself to others and see them take it and flourish with it. I learned very quickly that teaching music is not like teaching math or science. It is much more abstract and requires a lot of self-awareness, a good voice, and a good ear. I love the fact that we are bringing something to India that hasn’t really existed here before. That, in itself, is daily motivation for me.
How would you rate the awareness level of Indian youngsters with respect to western classical music?
Oh, there’s absolutely zero awareness. Almost 99 per cent of my students had no prior exposure to western classical music; not only that, most of them had never even heard of the genres involved within that title. For example, if I mentioned the words ‘Opera’ or ‘Lieder’, I would be met with a blank. The only western music these students had heard before is what we call American bubblegum pop.
How did you become a part of 'Passage'? Could you share your experiences working with Shekhar Kapur?
I worked directly with AR on the aria for Passage. I met Shekhar much later, at one of the rehearsals for my performance at the premiere of the film in Venice. I don’t know him well, but what I saw of him, I absolutely loved. He seemed totally and utterly incapable of small talk and was constantly speaking in the abstract. I’m uncomfortable and awkward with small talk myself; so, it was a welcome surprise. It’s so refreshing to have real conversations with people.
How is it working with AR Rahman and what do you think is so unique about him as a composer?
His style of working is not nearly as rigid as most western composers. First of all, he doesn’t put anything down on paper. Most of the time, he plays me something or sings me something and asks me to repeat it, or says something like ‘Can it be more flowy?’, and just directs me as we go along. When I worked with him on the aria, I found myself suggesting things and then thinking to myself, ‘Wait, should I be doing that? Am I way out of line right now?’ But he never makes you feel like that. He truly makes you feel as if you’re both collaborating on the project, not as if you’re working for him. And that was the case before as well as after he won the Oscar. I think that is truly unique for someone in his position.
You are involved in other creative arts as well. How do you manage to be a multi-tasker?
I absolutely love working like hell. I love being busy and seeing the fruits of my labor. The arts are like a form of meditation for me. They keep me sane. I feel calm as I go into a zone when I’m singing, taking pictures, painting, or even cooking for that matter. I love that when I’m doing these things my mind can just go blank.















