Showing posts with label Rahman. Show all posts
Showing posts with label Rahman. Show all posts

Thursday, July 5, 2012

So Far in 2012...


I know that every time I update my blog I pretty much say the same things:  “The past few months have been insane!” or “I am so inspired by this project and the people around me” or “I’m doing new and different things that are invigorating and fulfilling!”  But when I sat down to write this post, the same sentences ran through my head.  There’s no denying it: I love my job.

In the past few months, I have done so many things that are outside my comfort zone; things that I never thought I would be doing.  But I had no other choice but to dive right in and see what happens.  It’s scary at first to do something you’ve never done but at the same time, accomplishing the task makes you feel proud and capable.  I think that’s what drove me these past few months – the sense of pride that follows an especially arduous or uncomfortable task; the feeling that no matter what situation life throws at you, you can succeed.  What a wonderful feeling!

My life in 2012 so far…

1.     Classic Incantations tour – It has been so long since I’ve performed on stage (about 4 years).  I was terrified!  Performing is something you have to do continuously; otherwise you become rusty and nervous.  The things that happen on stage that are out of your control sometimes screw up the whole performance because you can’t think of anything else!  For example, in Delhi, the stage was too small to hold a whole orchestra and the soloists.  So the crew assembled a very wobbly platform at the front of the stage and I had to walk through the orchestra pit to get there.  I was wearing 3 ½ inch heels and almost fell over more than once walking up and down that thing.  On top of that, the crew left the backstage doors open and it was extremely cold.  I was shivering the whole time and felt miserable after the performance.  But picked myself back up and felt much better in Kolkata.  These things happen and you have to be prepared for anything. 

2.     The Oprah Party – Yes.  My friends.  I met Oprah at a party at the Godrej residence in Bombay!  She was coming to India to meet ARR and wanted to hear some of the talent from KMMC.  I conducted the choir while they sang a gospel piece (taught by a fellow teacher named Roshni).  The party was incredible and glamorous and the who’s who of Bollywood were all present.  I wish I could actually talk about what happened, but let’s say it was not fun, and it was not pleasant.  It’s not fun to be treated like a performing circus monkey.  That’s all I will say.  BUT I did get to meet Oprah.  That made up for everything!

3.     Recording for the Oscars – I had the most amazing opportunity to conduct the KMMC Chamber Choir at Yash Raj studios.  They sang a very beautiful ambient version of ‘What a Wonderful World’ for the ‘In Memoriam’ part of the Oscars that shows video clips of actors who passed away that year.  I was super excited to work with sound engineer Alan Meyerson and standing there in the large orchestra recording room, wearing headphones, and waving my little pencil around was surreal and utterly thrilling.  The students were filmed singing.  What a wonderful experience!

4.     Writing film synopsis’ – ARR has been bouncing around a few film ideas and needed someone to write the synopsis which includes the basics: logline, high concept pitch, settings, locations, characters, and plot.  I was thrilled to get this project because I haven’t written anything significant in a long time.  (I was one of those crazy people in high school and college who loved writing papers).  But I was simultaneously unsure about the whole thing.  First of all, I had no idea what all of those terms were or how they should be written.  It took some time asking friends who are in the business and doing research online to understand what exactly was needed from me.  On top of that, the subject matter of the film was so bizarre and out of my realm of knowledge and experience, I had to do a lot of research to execute the project.  But I did it and the first one was approved!  He liked my writing style and although many versions and edits had to be written (by many, I mean MANY), I learned so much from the whole experience and it left me feeling confident and invigorated.  The first film was approved and is on its way to production at the moment.  Who would’ve thought?  I have now been assigned to two more films!

5.    Current project – I can’t talk about it yet, but I had to basically compose, arrange, program, hold auditions, sing and train others by myself in a genre that is completely outside my comfort zone.  As a learned Western Classical musician, this was a task that was extremely daunting but we started about a month ago and I’ve been in the recording studio non-stop for the past two weeks and day-by-day the process is getting easier.  I’ve had to stop and start over many many times because it wasn’t quite what ARR was looking for (There were almost 10 prototypes before this current one).  But it has definitely been an adventure and I’ve learned so much in the past few weeks!

I know that this is just the beginning.  More projects are going to be thrown my way and they’re most likely going to be difficult and frustrating.  But how wonderful it feels to know you’ve succeeded!  The feeling of accomplishment, the pride, the happiness: it’s really the best feeling in the world.  I sometimes forget how lucky I am. 

Knock on wood, let’s hope for an even more adventurous 2nd half of 2012!

Saturday, May 12, 2012

Yash Raj Studios



The first few days of the tour were spent in Mumbai, rehearsing and recording with the Babelsberg film orchestra and Hollywood sound engineer Alan Meyerson at Yash Raj Film Studios.  The campus is beautiful - manicured lawns, lush greenery and flowers line the edges of the plot and those who need a moment to think can hang out in the Artist's Lounge or sit in the Atrium.  I was particularly impressed with the amount of land that had been acquired to house 3 sound stages, an audio wing, a massive film mix theater, and a recording theater that can fit an 80 piece orchestra with an attached monitor room that is twice the size of my apartment.  We took a short tour around the campus and there were quite a few moments of "Wait.  Where am I?!"  The experience was amazing and finally getting to meet Alan was wonderful.

YRF Studios, Main Building
Film Mix Theater

Foley Studio

The Recording Theater - this is where we met the orchestra for the first time and had our first rehearsal with Matt Dunkley and ARR.  This is also where we recorded 'What a Wonderful World' for the Oscars!
First rehearsal with Matt, choir, ARR and orchestra
Alan was so excited to show me the final mix of Lord of the Rings and said such nice things to me about my voice.  I was absolutely speechless and listened to him with delight and total bewilderment.  The whole time I kept thinking, "Alan Meyerson… Inception… Alan Meyerson… Pirates… Alan Meyerson… Sherlock Holmes… "  The best compliment he gave me though was, "It's a voice that crosses the boundaries of style and genre." I don't know if non-musicians would fully comprehend the weight of that statement.  Most musicians feel pressure to fit within a category - to define their work and their talent based on other artists and absolute definitions.  I've always felt a pressure to conform to these definitions; to try and work towards a particular sound or strive to change my voice to fit within a category.  Music teachers, especially in America are at fault here too.  "Bigger bigger bigger!  Push push push!  Darker darker darker!"  The problem with this is… my voice will always be my voice.  I can improve the support, I can get fit and increase my energy, I can work on breathing and technique… but the actual sound of my voice, the timbre will change only a little bit.  Alan helped me understand and appreciate the voice I have because it pulls from various influences yet doesn't conform to any one style or genre.  For that, I am grateful.





I enjoy singing everything from Pop, Gospel, Bollywood and Fado, to Musical Theatre and Opera.  And if I can do it, why shouldn't I? :)

Thursday, February 23, 2012

Classic Incantations Backstage

Photo with Mr. Boss after the Mumbai concert!

 With Matt Dunkley!

What an incredible experience...

Monday, February 13, 2012

Classic Incantations Photos

Some photos from the event!
Press photo
Thank you Varun Nair, and PADeepak for the photos :)
KMMC Chamber Choir.  My babies!
Passage 
Passage
Spot ARR!  Photo taken after Bombay concert
Lord of the Rings with Arun Kamath
Elizabeth: Golden Age
Kiss from Matt Dunkley
Mausam & Escape
Passage 




Friday, February 10, 2012

Sunday, February 5, 2012

Classic Incantations Review

I found an amazing review of the concert tour 'Classic Incantations' by one of ARR's biggest fans.  He came to the Chennai concert and not only loved it, but wrote an amazing review that included audio clips!

Click on the link for the full review: http://www.backgroundscore.com/2012/01/classic-incantations-concert-review.html

Some excerpts from the blog:


PASSAGE SUITE
By the end of the first three pieces - Warriors of Heaven and Earth, Lagaan and Mangal Pandey, anyone who haven’t seen the films and doesn’t know the purpose of the music, is definitely bound to come to a conclusion that all orchestral pieces of A.R.Rahman sound similar and might feel that the concert is already turning monotonous. That is why it is a brilliant idea to have Passage Suite as the next piece, which is far removed from the bangs, drum rolls and bombastic brass sounds of the first three period film pieces. Passage exhibited the tender tones of the orchestra and what it takes for a Soprano to raise and soar over a 100-piece orchestra. Kavita Baliga, the soprano gave an exquisite rendition of Aria from Passage, with her voice rendering a wide array of emotions through crests and troughs, straight notes and vibratos in A.R.Rahman’s invigorating melody. Waltz, the end credits music from the film Passage followed, but surprisingly, with Kavita Baliga singing some Italian verses along with the orchestra which weren’t present in the original. Waltz is an all out western classical composition from A.R.Rahman with not a note of Indianness in it.


LORD OF THE RINGS SUITE
With the serene Canyon (instrumental version of “If I Rise” song) theme and excerpts from Acid Darbari 127 Hours suite became the Concert’s quietest piece. It was an exceptionally moving performance by the Orchestra. The Orchestra was just crouching low during 127 Hours suite before plunging back in action in full force for the Lord of the Rings Suite. Lord of the Rings Suite is the only piece in the concert that I wasn’t much familiar with. The performances by Arun H.K, Kavita Baliga, K.M Choir and Babelsberg Orchestra were absolutely magical and transported me to a different world. It was the most colorful and vibrant of all the pieces performed in the concert and I instantly fell in love with the piece. 


Read the whole review!

Thursday, February 2, 2012

Matt Dunkley's blog


This was the blog entry written by Matt Dunkley after 'Classic Incantations'.

It's been an amazing couple of weeks in India with the German Film Orchestra Babelsberg. Travelling around this country, you get a real sense of the indomitable spirit of the people, and of the huge diversity of this sub-continent. The concerts have seen great performances from the orchestra, choir and soloists, and have largely been met with enthusiasm and respect for the ambitions of this wonderful project. It took us all a while to realise that muted applause didn't mean that the audience was unhappy with our concerts, and that this is quite normal in Indian classical performance, though the response in A. R. Rahman's home city of Chennai was simply overwhelming. What a night! These concerts have been an important first step in re-introducing a western classical tradition into the Indian music landscape, and one that I know AR is passionate about.
What has been so special about the tour is watching the growing respect and friendship between the German musicians of the orchestra and our lovely choir from maestro Rahman's KM Music Conservatory. A real cross-cultural exchange that is at the heart of the 'Germany and India 2011-2012: Infinite Opportunities' project. For an amateur student choir, they have risen to the considerable challenge of performing with a professional orchestra and have grown in confidence concert by concert.
Last Friday was another special day, when some small groups from the orchestra visited the KM Music Conservatory to perform for the students. First, we were treated to a short concert by a string group that had only been studying for one year. The concentration on their young faces and the standard they have already attained impressed us all. The highlight of the visit was a truly spellbinding performance by the student Qawwali ensemble. Just magical.
Our last concert was performed on Sunday night to an enthusiastic audience of over 6000 people, at the Palace Grounds in Bangalore. It's such a beautiful city and was a fitting end to this remarkable trip. 
We have all grown to love "Incredible India", and I for one can't wait to come back again.
_____________________________
Matt Dunkley
Conductor/arranger
http://www.imdb.com/name/nm0242161/
http://www.mattdunkley.com

Monday, January 9, 2012

OMG!

I just got the most amazing email from boss in the world!

Alan Meyerson, a scoring mixer and sound engineer who provides excellent services to the American film and music industries was chillin' at Mr. Rahman's house in LA with his father who said some wonderful things about me!  Alan Meyerson has done sound mixing for huge blockbuster films like Gladiator, Pirates of the Caribbean, Inception, Kung fu Panda, etc.  To hear him and his father say anything about me is just ridiculously flattering.  The fact that they even know me is unbelievable.  And to know that they felt like they should say something to me is incredible.  I have no words.


Saturday, January 7, 2012

'Classic Incantations': Message from Babelsberg

A message from the conductor of the German Film Orchestra Babelsberg regarding the project with A.R. Rahman.  When we started rehearsing for this project in September, the team from Babelsberg came to visit KMMC and hear the choir.  We had the privilege of meeting Mr. Klaus Peter Beyer and he spoke to the choir members about the project and about the history and ties between Germany and India.  He was very impressed with what he heard!  This video was shown at the press conference last week.

Friday, January 6, 2012

'Classic Incantations' Press Conference

The German Film Orchestra Babelsberg, will be touring India in the last week of January. They will be playing academy award winner AR Rahman`s popular tunes from films like Roja, Laagan, Bombay, Swadesh, Mangal Pandey,Endhiran etc.

The event has been organised to coincide with the centenary year of Germany`s oldest film studio Babelsberg and the centenary of Indian cinema starting with Pundlik, the first story film that was released in 1942.

Titled `Classic Incantations`, the concert will kick off in Mumbai on January20, before traveling to Delhi, Kolkata, Chennai and finally Bengaluru.

AR Rahman said at the press meet: “Background music is an integral part of this concert. We are helping people see an orchestral performance and understand how music is made for a scene.”
Images & Text: Moviebuzz 

Thursday, January 5, 2012

Classic Incantations Promo 2!



It's me! It's me! 'Aria' from the short film Passage by Shekhar Kapur, music by A.R. Rahman. 

Wednesday, January 4, 2012

'Classic Incantations' Press Conference

The press conference for 'Classic Incantations: The German Film Orchestra Babelsberg plays A.R. Rahman' was this afternoon:


I'm on the far left!

Tuesday, January 3, 2012

'Classic Incantations: The Babelsberg Film Orchestra plays A.R. Rahman'

Starting on January 20th, over a 100 musicians from different parts of the world will come together on a 5-city tour across India to perform the orchestral scores of A.R. Rahman.

For the past four months, I have been training and rehearsing with the KMMC Chamber Choir to prepare them to sing in this event (28 alumni as well as current students) and I have been preparing to sing three songs for it!

Check out the promo!

Friday, December 9, 2011

Make a Change


Dear Friends,

I know I haven't written in a very long time and I apologize.  I would go to this page every couple weeks or so and think about what I could write about.  It then occurred to me after many failed attempts that I really had nothing to say.  Things here had gotten so… negative.  When I first arrived in Chennai, every day was an adventure.  Every day I would wake up feeling inspired, excited, motivated to teach, sing, and use my creative ideas in a positive way to build this institution.  And I have felt like that every year - until now.  I realized this year that I had done everything I could do to change this place and that there was nothing more I could do or say. This institution won't change for the better unless some very specific key things happen that most likely won't.  I came to the end of my tether about a month ago and realized I had some important decisions to make.

All I know is this:  I strive every day to make a difference.  I strive every day to be honest and fight for what's good.  I strive every day to build system and protocol that provides accountability and justice.  I have tried for the past three and a half years to be the best teacher, the best friend, the best guru, the best leader, and the best therapist, but I have not received even a small slice of appreciation for it - rather the opposite.  This entire experience has made me realize that people in India don't like to see you succeed, and when they feel threatened by you, they start creating fictitious rumors, politics, and drama against you that are baseless and random.  I have also realized in this experience that some people just live in an alternate universe of irrationality - one that they have lived in their whole lives.  For these people, logic and reason are just as erroneous as seeing a dog fly.  Thankfully, Mr. Boss doesn't believe everything he hears, has a good heart, and understands when someone is genuinely trying to do good in the world.

I’m sure some of my Facebook statuses have been depressing and filled with rage for the past few months.  As it is the last year of my twenties, I finally decided to make changes in my life before I reach the big 3-0:  I quit my job at KMMC and am moving on to bigger and better things.


I have been working on an idea for the past few months that may prove to be quite fruitful – creating and running my own opera/performance company in India.  I have discussed it with Rahman and he’s on board.  Once I confirm the details with him, I will share it with you!  But know that I am very excited and happy.


Who knows if this will work out, but I am hopeful and very excited to move on.  (In India, ‘maybe’ seems to mean ‘yes’, ‘we’ll see’ tends to mean ‘not right now’ and ‘yes’ sometimes means ‘absolutely not’).  But if it works out, I’ll be doing what I love, have the power to make creative and administrative decisions on my own, and not be weighed down by negativity and politics.  I also will be completely autonomous (Hallelujah).

Cross your fingers and send positive vibes.  I need them.

Sunday, September 26, 2010

Maaralente

A few months ago, I transcribed some choral samples for AR for a Telagu film called 'Komaram Puli' and conducted the KMMC Chamber Choir to record on the third track called 'Maaralente'. It was a great experience and I got a chance to improve my ability to take musical dictation. Man, it's tough! Check it out!




Monday, September 13, 2010

Mugdha Hasabnis

UPDATE: Mugdha mentioned my name on the Sa Re Ga Ma Pa website! Check it out!
http://srgmpss.zeetv.com/mugdha-hasabnis/

I am very proud of my student Mugdha Hasabnis who is doing a wonderful job singing on the 'American Idol' of India - Sa Re Ga Ma Pa! Here are some clips of her singing:





Cross your fingers for her! I am!

Wednesday, March 24, 2010

Interview published in 'Espresso'

Hey guys, sorry it's been a while since my last post. Life has been crazy as usual here in Madras, but I also got the flu from hell and was out for about 2 weeks hugging my blanket and coughing up a lung. Anyhow, this is the second interview that was published about me after the TEDx event. ON A HIGH NOTE
Bel Canto - Kavita Baliga may not be a native of the city, but with her magical voice, she is currently a part of A.R. Rahman's musical conservatory.  A survivor by all means, the immensely talented opera singer opens up to Divya Nair on her journey over the years.

On her interest in opera singing
My Hindustani teacher suggested that I join my high school choir to get an idea of both styles of music; East and West.  I absolutely adored my choir teacher, and after starting private voice lessons, I eventually applied to university for vocal performance.  My inspiration when I was really young was probably Julie Andrews (which sounds totally cheesy) but The Sound of Music was my favourite film till I was in my teens.  Then when I saw Phantom of the Opera by Andrew Lloyed Webber in San Francisco, I was totally hooked.

On battling cancer at an early age
The experience of going through cancer treatment was ironically the most inspiring and motivating factor in my life.  It made me realize the true incredible capacity of human beings.  Treatment really motivated me to live each day as if it were my last and it really encouraged me to LIVE.  I tried to do things that were outside the box - things that would have made me feel uncomfortable before treatment, like acting in UCI's production of The Vagina Monologues which ended up being an unforgettable experience.

The experience of working in Rahman's Music Conservatory
It's been the most fulfilling and exciting experience of my life.  My favourite experience working with AR thus far was on Shekhar Kapur's short film Passage.  I sung the aria from that film at the premiere in Venice, Italy, during the Venice Film Festival.  The whole experience was overwhelming and to be honest, completely terrifying.  I loved every minute of it!  Since I've been in Chennai, I've done a lot of background work for AR's film scores and if you ever hear an ethereal operatic voice in the background of any of his Hindi or Tamil songs, that's probably me.

On opera singing in Chennai
Although for the most part it's quite a foreign genre for people in India, the audience for western classical music is definitely developing as we speak.  Also, I was shocked at how quickly some of my students have picked up the operatic style of singing.  Students have such a fantastic ear to pick up new styles and genres.  Once people are more exposed to western classical music, fantastic things are going to happen not only in the western classical world, but also with the possibility of fusion music and collaborations.

Future Plans
I definitely believe in taking one day at a time.  I will stay in the same place as long as my criteria are being fulfilled which are:  
A. Am I benefiting others?  
B.  Am I learning from the experience and benefiting from it myself? 
C.  Is my career progressing?  
If the answer is yes to all of the above, I'll stay.  If at some point it starts to shift, I'll leave. Right now, it's a happy and firm YES.


Thursday, September 17, 2009

CIAO CIAO VENEZIA!!!

I know it's been a couple weeks, but it took that long for me to actually just... EXHALE, pinch myself, and say "Yes. That did happen." It all happened so fast, I barely had time to process what was happening. The Delhi Concert, then right after that rehearsals for the MJ Tribute, then immediately after that I had to prepare for Venice. AHHHH!

Let me tell you, the day I left was the worst day EVER. My scooty wouldn't start, so I took Viviane's scooty to work. All of the foreign faculty had been waiting for specific tax documents to be given to us from the school - we had to have these documents in order to get our employment visas registered. Of course these documents never turned up and so the week before Venice I had to scramble around like a chicken with its head cut off, trying to get this paperwork from anyone and everyone in the administration - no one had it. So I thought, well, if the school doesn't have it, and I don't have it, what can I do? So I went to the hellish visa office and the lady thumbed through my paperwork disapprovingly and said "Hah! you guys always do this. You guys seem to take immigration very lightly. It's not going to work this time. I'll see you next week with the correct documents." "UM - no please please please, I CAN'T come next week, I have to go to Venice this weekend for a gig!" "I'm sorry, I can't help you." So I went back to school and talked to Faiz "FAIZ! What am I supposed to do? I need this paperwork and no one seems to have it." "Ok I'll do one thing. Let me call Hari, he's the accountant but he's on holiday."

Long story short - we didn't have the paperwork because guess what? The taxes were never filed. We had to go to the auditor and file the taxes and take our chances at the visa office by showing them a receipt - proof that the taxes were filed. Faiz, the lifesaver, managed to talk his way back into the visa office even though it was closed, and the lady finally, FINALLY granted me the registration.

Then there's the dress: I had asked the designer Chaitanya Rao to make a dress for me for the Venice gig. I explained exactly what I wanted, showed him a picture of the neckline... everything. After the visa madness I found out that my flight for Venice was actually in a few HOURS - the itinerary was sent to me while I was at the visa office. So I frantically called Chetan and said "My flight is at 4 am! Can you finish it by this evening?" "Uh oh really???" ..... he hadn't even started. When I finally went to pick up what I thought was going to be a beautiful gown, it was exactly... EXACTLY what I didn't want. The shape was wrong, it was ill-fitting, I had asked him to make it in a way that would reduce my bust and instead of trying to draw your attention somewhere else, he decided to create a giant gold-sequined horizontal stripe across my chest. Even I know that horizontal stripes are a big NO NO when you're trying to slim someone down. Not only that, the neckline wasn't like the one in the picture. He insisted it was and told me to not expect it to look exactly the same as the picture because "your body doesn't look like that." I had had such a horrible day that I just started crying. Instead of being sympathetic and trying to fix as much as possible before the flight, his assistant Tina rolled her eyes and said "WHAT? There's nothing we can do now, so I don't know what to tell you." "Um... it's ALL WRONG. It's not what I asked for AT ALL." "Well we can't do anything - can I leave? Because I left a dinner party for this, and there's nothing we can do." At which point I was so fed up that I just lost it. "Um - ARE YOU A BITCH TO ALL YOUR CLIENTS, OR JUST ME? WHAT WAS THE POINT OF GETTING A DESIGNER TO MAKE MY DRESS IF IT LOOKS LIKE SHIT? I CAN WALK INTO ANY H&M AND FIND A BETTER FITTING OUTFIT MADE IN A SWEATSHOP IN CHINA."

Yeah.... that was obviously not the best tactic. I took the dress to Venice but I didn't wear it. Chetan agreed to work on the dress after I got back from Venice. He hasn't answered any of my calls.

Goodbye 20,000 rupees. It was nice knowing you.

Viviane's scooty broke down on the way back from the designer at 11 pm. What a fantastic day.


Incredibly exhausted, angry, and still unbelievably ill from the flu, I forced my anxiety ridden self to jump in an auto and go the airport at 2 am. I apathetically plopped my bag down and slid my passport across the Emirates counter without even looking at the lady. She handed me my boarding pass and I just stared at it in disbelief. "I think you made a mistake. This says Business Class." "No, no that's right. Enjoy." I was dumbstruck, thinking to myself "Hah! This day is lookin up..." While I was waiting to board, my name was called over the intercom. When I went to the counter, the lady said. "Boarding pass, please." I handed it to her. She crossed out seat 7B and wrote 2A. I didn't think anything of it until I boarded the plane and the stewardess said "Welcome to your First Class Suite". I tried to be as nonchalant as possible as I stumbled over myself to sit in a chair that was too big for me, and accidentally turned the massage feature on full blast. When the stewardess asked if I wanted champagne, I stammered over the vibrations, "Y-y-yess, n-no, w-well, maybe... y-yes...maybe later." She stared. I stared. She walked away. I closed the door and vibrated in silence. Yeah, that was smooth.

You forget how unbelievably beautiful Venice is until you go there again and you feel like you're walking through a giant film set. The cobblestone streets, the absence of motor vehicles, the gondolas, the grandeur of the duomos and piazzas - it's incredible. The food... Oh the food...

I had a day and a half to relax and unwind before rehearsals. I roamed the city, taking it all in. On Saturday I had my first rehearsal with the 13 piece Venetian string orchestra at the hotel. The conductor, Matt Dunkley, motioned for me to come to the front of the room and announced, "ladies and gentlemen, please welcome our vocalist for tomorrow evening." Again, I tried to act as nonchalant as possible but ended up giggling nervously. The Venetians looked dubious. I noticed Shekhar come in halfway through the rehearsal. He waved. I smiled and continued singing. Afterward I ducked out as quick as possible, ran up to my room, closed the door, and leaned against it for five minutes processing what had just happened.

That night we were to all have dinner at a quaint Italian restaurant in San Marco. I was told to meet downstairs at 7 pm. The dinner consisted of the conductor, Matt and his wife, Rahman, Shekhar, David Adjaye, 3 of the big guys from Swarovski, Haley Bennett, and Ryan Eggold who stars in 90210: The Next Generation. I got such a kick out of that, I can't even tell you. A ridiculous multi-course meal featuring beef carpaccio, an assortment of fish, mussels, squid, langoustine, soft shell crab, risotto... and the list goes on and on.

The actual performance? It went really well. I was incredibly uncomfortable meeting everyone, posing for pics, and I couldn't even have wine because I had to sing. The room was lit beautifully, the stage area was beautiful, and I had a mic stand so I didn't have to worry about failing to project. I sand the two arias, then Rahman spoke a bit about the music from the film and did a small demonstration on the piano, and then as an encore I was asked to sing one of the arias again. It was perfect. Haley and David approached me and gushed over my singing. It was surreal.

I spent the rest of the evening relaxed and content. I said thank you to everyone and walked back to the hotel with a smile on my face.

Photos:
Press Photos: Courtesy of www.swarovski.com
Bauer Palladio Hotel & Spa Photos: Courtesy of www.bauerpalladio.it
Piazza San Marco




















Tuesday, August 25, 2009

EEEE!!!!!

I will be singing two arias, written by A.R. Rahman, at the Venice Film Festival on September 6!!!!!!!!!
I just met with the fashion designer Chaitanya Rao to discuss my gown for the event. This is all so surreal.

AHHHHHHHHHHH!!!!!!!!!!!!

SO EXCITED.

Monday, August 17, 2009

SO MANY THINGS!

I wish I had the time right now to write write write about everything that's happening, but ALAS! No time. Long story short:

1. School started mid-July and we immediately began preparing for KM Day - a concert that would showcase the hard work of last year's foundation students. The concert included choral pieces, western classical pieces, musical theater scenes, and a performance by faculty. I also helped put the event together, so I was super busy for weeks trying to get this thing running smoothly.

Highlights: The musical theater went well. The choir sang well. And one of my students screwed up so badly on his classical piece that I started hyperventilating and had to be taken outside where I cried hysterically for 5 minutes - and then had to go back inside and sing the laughing aria from the opera Die Fledermaus. Oh the irony.

2. Because KM Day went so well, Mr. Rahman decided to include us in his upcoming concert in Delhi on Aug 11 - "A.R. Rahman: Unplugged". We were ecstatic. We flew to Delhi (30 of us) and had a short but sweet holiday. We shared the stage with Kailash Kher and his band, Sivamani, Hariharan, and Sadhana Sargam in a concert commemorating the 50th anniversary of Doordarshan. It was glorious.




In other news: I will be participating in and performing in not one, but TWO Michael Jackson tribute concerts here in Chennai - and both of them are huge. One of them will be in a stadium which holds like 20,000 people. This should be interesting considering I've never sung for an audience larger than say, 2000, at the KAOCA conventions. And the second one will be smaller, but still important. I can't wait.

More news to come! Stay tuned...