Thursday, July 5, 2012

So Far in 2012...


I know that every time I update my blog I pretty much say the same things:  “The past few months have been insane!” or “I am so inspired by this project and the people around me” or “I’m doing new and different things that are invigorating and fulfilling!”  But when I sat down to write this post, the same sentences ran through my head.  There’s no denying it: I love my job.

In the past few months, I have done so many things that are outside my comfort zone; things that I never thought I would be doing.  But I had no other choice but to dive right in and see what happens.  It’s scary at first to do something you’ve never done but at the same time, accomplishing the task makes you feel proud and capable.  I think that’s what drove me these past few months – the sense of pride that follows an especially arduous or uncomfortable task; the feeling that no matter what situation life throws at you, you can succeed.  What a wonderful feeling!

My life in 2012 so far…

1.     Classic Incantations tour – It has been so long since I’ve performed on stage (about 4 years).  I was terrified!  Performing is something you have to do continuously; otherwise you become rusty and nervous.  The things that happen on stage that are out of your control sometimes screw up the whole performance because you can’t think of anything else!  For example, in Delhi, the stage was too small to hold a whole orchestra and the soloists.  So the crew assembled a very wobbly platform at the front of the stage and I had to walk through the orchestra pit to get there.  I was wearing 3 ½ inch heels and almost fell over more than once walking up and down that thing.  On top of that, the crew left the backstage doors open and it was extremely cold.  I was shivering the whole time and felt miserable after the performance.  But picked myself back up and felt much better in Kolkata.  These things happen and you have to be prepared for anything. 

2.     The Oprah Party – Yes.  My friends.  I met Oprah at a party at the Godrej residence in Bombay!  She was coming to India to meet ARR and wanted to hear some of the talent from KMMC.  I conducted the choir while they sang a gospel piece (taught by a fellow teacher named Roshni).  The party was incredible and glamorous and the who’s who of Bollywood were all present.  I wish I could actually talk about what happened, but let’s say it was not fun, and it was not pleasant.  It’s not fun to be treated like a performing circus monkey.  That’s all I will say.  BUT I did get to meet Oprah.  That made up for everything!

3.     Recording for the Oscars – I had the most amazing opportunity to conduct the KMMC Chamber Choir at Yash Raj studios.  They sang a very beautiful ambient version of ‘What a Wonderful World’ for the ‘In Memoriam’ part of the Oscars that shows video clips of actors who passed away that year.  I was super excited to work with sound engineer Alan Meyerson and standing there in the large orchestra recording room, wearing headphones, and waving my little pencil around was surreal and utterly thrilling.  The students were filmed singing.  What a wonderful experience!

4.     Writing film synopsis’ – ARR has been bouncing around a few film ideas and needed someone to write the synopsis which includes the basics: logline, high concept pitch, settings, locations, characters, and plot.  I was thrilled to get this project because I haven’t written anything significant in a long time.  (I was one of those crazy people in high school and college who loved writing papers).  But I was simultaneously unsure about the whole thing.  First of all, I had no idea what all of those terms were or how they should be written.  It took some time asking friends who are in the business and doing research online to understand what exactly was needed from me.  On top of that, the subject matter of the film was so bizarre and out of my realm of knowledge and experience, I had to do a lot of research to execute the project.  But I did it and the first one was approved!  He liked my writing style and although many versions and edits had to be written (by many, I mean MANY), I learned so much from the whole experience and it left me feeling confident and invigorated.  The first film was approved and is on its way to production at the moment.  Who would’ve thought?  I have now been assigned to two more films!

5.    Current project – I can’t talk about it yet, but I had to basically compose, arrange, program, hold auditions, sing and train others by myself in a genre that is completely outside my comfort zone.  As a learned Western Classical musician, this was a task that was extremely daunting but we started about a month ago and I’ve been in the recording studio non-stop for the past two weeks and day-by-day the process is getting easier.  I’ve had to stop and start over many many times because it wasn’t quite what ARR was looking for (There were almost 10 prototypes before this current one).  But it has definitely been an adventure and I’ve learned so much in the past few weeks!

I know that this is just the beginning.  More projects are going to be thrown my way and they’re most likely going to be difficult and frustrating.  But how wonderful it feels to know you’ve succeeded!  The feeling of accomplishment, the pride, the happiness: it’s really the best feeling in the world.  I sometimes forget how lucky I am. 

Knock on wood, let’s hope for an even more adventurous 2nd half of 2012!

Saturday, May 12, 2012

Yash Raj Studios



The first few days of the tour were spent in Mumbai, rehearsing and recording with the Babelsberg film orchestra and Hollywood sound engineer Alan Meyerson at Yash Raj Film Studios.  The campus is beautiful - manicured lawns, lush greenery and flowers line the edges of the plot and those who need a moment to think can hang out in the Artist's Lounge or sit in the Atrium.  I was particularly impressed with the amount of land that had been acquired to house 3 sound stages, an audio wing, a massive film mix theater, and a recording theater that can fit an 80 piece orchestra with an attached monitor room that is twice the size of my apartment.  We took a short tour around the campus and there were quite a few moments of "Wait.  Where am I?!"  The experience was amazing and finally getting to meet Alan was wonderful.

YRF Studios, Main Building
Film Mix Theater

Foley Studio

The Recording Theater - this is where we met the orchestra for the first time and had our first rehearsal with Matt Dunkley and ARR.  This is also where we recorded 'What a Wonderful World' for the Oscars!
First rehearsal with Matt, choir, ARR and orchestra
Alan was so excited to show me the final mix of Lord of the Rings and said such nice things to me about my voice.  I was absolutely speechless and listened to him with delight and total bewilderment.  The whole time I kept thinking, "Alan Meyerson… Inception… Alan Meyerson… Pirates… Alan Meyerson… Sherlock Holmes… "  The best compliment he gave me though was, "It's a voice that crosses the boundaries of style and genre." I don't know if non-musicians would fully comprehend the weight of that statement.  Most musicians feel pressure to fit within a category - to define their work and their talent based on other artists and absolute definitions.  I've always felt a pressure to conform to these definitions; to try and work towards a particular sound or strive to change my voice to fit within a category.  Music teachers, especially in America are at fault here too.  "Bigger bigger bigger!  Push push push!  Darker darker darker!"  The problem with this is… my voice will always be my voice.  I can improve the support, I can get fit and increase my energy, I can work on breathing and technique… but the actual sound of my voice, the timbre will change only a little bit.  Alan helped me understand and appreciate the voice I have because it pulls from various influences yet doesn't conform to any one style or genre.  For that, I am grateful.





I enjoy singing everything from Pop, Gospel, Bollywood and Fado, to Musical Theatre and Opera.  And if I can do it, why shouldn't I? :)

Thursday, February 23, 2012

Classic Incantations Backstage

Photo with Mr. Boss after the Mumbai concert!

 With Matt Dunkley!

What an incredible experience...

Monday, February 13, 2012

Classic Incantations Photos

Some photos from the event!
Press photo
Thank you Varun Nair, and PADeepak for the photos :)
KMMC Chamber Choir.  My babies!
Passage 
Passage
Spot ARR!  Photo taken after Bombay concert
Lord of the Rings with Arun Kamath
Elizabeth: Golden Age
Kiss from Matt Dunkley
Mausam & Escape
Passage 




Friday, February 10, 2012

Sunday, February 5, 2012

Classic Incantations Review

I found an amazing review of the concert tour 'Classic Incantations' by one of ARR's biggest fans.  He came to the Chennai concert and not only loved it, but wrote an amazing review that included audio clips!

Click on the link for the full review: http://www.backgroundscore.com/2012/01/classic-incantations-concert-review.html

Some excerpts from the blog:


PASSAGE SUITE
By the end of the first three pieces - Warriors of Heaven and Earth, Lagaan and Mangal Pandey, anyone who haven’t seen the films and doesn’t know the purpose of the music, is definitely bound to come to a conclusion that all orchestral pieces of A.R.Rahman sound similar and might feel that the concert is already turning monotonous. That is why it is a brilliant idea to have Passage Suite as the next piece, which is far removed from the bangs, drum rolls and bombastic brass sounds of the first three period film pieces. Passage exhibited the tender tones of the orchestra and what it takes for a Soprano to raise and soar over a 100-piece orchestra. Kavita Baliga, the soprano gave an exquisite rendition of Aria from Passage, with her voice rendering a wide array of emotions through crests and troughs, straight notes and vibratos in A.R.Rahman’s invigorating melody. Waltz, the end credits music from the film Passage followed, but surprisingly, with Kavita Baliga singing some Italian verses along with the orchestra which weren’t present in the original. Waltz is an all out western classical composition from A.R.Rahman with not a note of Indianness in it.


LORD OF THE RINGS SUITE
With the serene Canyon (instrumental version of “If I Rise” song) theme and excerpts from Acid Darbari 127 Hours suite became the Concert’s quietest piece. It was an exceptionally moving performance by the Orchestra. The Orchestra was just crouching low during 127 Hours suite before plunging back in action in full force for the Lord of the Rings Suite. Lord of the Rings Suite is the only piece in the concert that I wasn’t much familiar with. The performances by Arun H.K, Kavita Baliga, K.M Choir and Babelsberg Orchestra were absolutely magical and transported me to a different world. It was the most colorful and vibrant of all the pieces performed in the concert and I instantly fell in love with the piece. 


Read the whole review!

Thursday, February 2, 2012

Matt Dunkley's blog


This was the blog entry written by Matt Dunkley after 'Classic Incantations'.

It's been an amazing couple of weeks in India with the German Film Orchestra Babelsberg. Travelling around this country, you get a real sense of the indomitable spirit of the people, and of the huge diversity of this sub-continent. The concerts have seen great performances from the orchestra, choir and soloists, and have largely been met with enthusiasm and respect for the ambitions of this wonderful project. It took us all a while to realise that muted applause didn't mean that the audience was unhappy with our concerts, and that this is quite normal in Indian classical performance, though the response in A. R. Rahman's home city of Chennai was simply overwhelming. What a night! These concerts have been an important first step in re-introducing a western classical tradition into the Indian music landscape, and one that I know AR is passionate about.
What has been so special about the tour is watching the growing respect and friendship between the German musicians of the orchestra and our lovely choir from maestro Rahman's KM Music Conservatory. A real cross-cultural exchange that is at the heart of the 'Germany and India 2011-2012: Infinite Opportunities' project. For an amateur student choir, they have risen to the considerable challenge of performing with a professional orchestra and have grown in confidence concert by concert.
Last Friday was another special day, when some small groups from the orchestra visited the KM Music Conservatory to perform for the students. First, we were treated to a short concert by a string group that had only been studying for one year. The concentration on their young faces and the standard they have already attained impressed us all. The highlight of the visit was a truly spellbinding performance by the student Qawwali ensemble. Just magical.
Our last concert was performed on Sunday night to an enthusiastic audience of over 6000 people, at the Palace Grounds in Bangalore. It's such a beautiful city and was a fitting end to this remarkable trip. 
We have all grown to love "Incredible India", and I for one can't wait to come back again.
_____________________________
Matt Dunkley
Conductor/arranger
http://www.imdb.com/name/nm0242161/
http://www.mattdunkley.com

Monday, January 9, 2012

OMG!

I just got the most amazing email from boss in the world!

Alan Meyerson, a scoring mixer and sound engineer who provides excellent services to the American film and music industries was chillin' at Mr. Rahman's house in LA with his father who said some wonderful things about me!  Alan Meyerson has done sound mixing for huge blockbuster films like Gladiator, Pirates of the Caribbean, Inception, Kung fu Panda, etc.  To hear him and his father say anything about me is just ridiculously flattering.  The fact that they even know me is unbelievable.  And to know that they felt like they should say something to me is incredible.  I have no words.


Saturday, January 7, 2012

'Classic Incantations': Message from Babelsberg

A message from the conductor of the German Film Orchestra Babelsberg regarding the project with A.R. Rahman.  When we started rehearsing for this project in September, the team from Babelsberg came to visit KMMC and hear the choir.  We had the privilege of meeting Mr. Klaus Peter Beyer and he spoke to the choir members about the project and about the history and ties between Germany and India.  He was very impressed with what he heard!  This video was shown at the press conference last week.

Friday, January 6, 2012

'Classic Incantations' Press Conference

The German Film Orchestra Babelsberg, will be touring India in the last week of January. They will be playing academy award winner AR Rahman`s popular tunes from films like Roja, Laagan, Bombay, Swadesh, Mangal Pandey,Endhiran etc.

The event has been organised to coincide with the centenary year of Germany`s oldest film studio Babelsberg and the centenary of Indian cinema starting with Pundlik, the first story film that was released in 1942.

Titled `Classic Incantations`, the concert will kick off in Mumbai on January20, before traveling to Delhi, Kolkata, Chennai and finally Bengaluru.

AR Rahman said at the press meet: “Background music is an integral part of this concert. We are helping people see an orchestral performance and understand how music is made for a scene.”
Images & Text: Moviebuzz 

Thursday, January 5, 2012

Classic Incantations Promo 2!



It's me! It's me! 'Aria' from the short film Passage by Shekhar Kapur, music by A.R. Rahman. 

Wednesday, January 4, 2012

'Classic Incantations' Press Conference

The press conference for 'Classic Incantations: The German Film Orchestra Babelsberg plays A.R. Rahman' was this afternoon:


I'm on the far left!

Tuesday, January 3, 2012

'Classic Incantations: The Babelsberg Film Orchestra plays A.R. Rahman'

Starting on January 20th, over a 100 musicians from different parts of the world will come together on a 5-city tour across India to perform the orchestral scores of A.R. Rahman.

For the past four months, I have been training and rehearsing with the KMMC Chamber Choir to prepare them to sing in this event (28 alumni as well as current students) and I have been preparing to sing three songs for it!

Check out the promo!

Friday, December 9, 2011

Make a Change


Dear Friends,

I know I haven't written in a very long time and I apologize.  I would go to this page every couple weeks or so and think about what I could write about.  It then occurred to me after many failed attempts that I really had nothing to say.  Things here had gotten so… negative.  When I first arrived in Chennai, every day was an adventure.  Every day I would wake up feeling inspired, excited, motivated to teach, sing, and use my creative ideas in a positive way to build this institution.  And I have felt like that every year - until now.  I realized this year that I had done everything I could do to change this place and that there was nothing more I could do or say. This institution won't change for the better unless some very specific key things happen that most likely won't.  I came to the end of my tether about a month ago and realized I had some important decisions to make.

All I know is this:  I strive every day to make a difference.  I strive every day to be honest and fight for what's good.  I strive every day to build system and protocol that provides accountability and justice.  I have tried for the past three and a half years to be the best teacher, the best friend, the best guru, the best leader, and the best therapist, but I have not received even a small slice of appreciation for it - rather the opposite.  This entire experience has made me realize that people in India don't like to see you succeed, and when they feel threatened by you, they start creating fictitious rumors, politics, and drama against you that are baseless and random.  I have also realized in this experience that some people just live in an alternate universe of irrationality - one that they have lived in their whole lives.  For these people, logic and reason are just as erroneous as seeing a dog fly.  Thankfully, Mr. Boss doesn't believe everything he hears, has a good heart, and understands when someone is genuinely trying to do good in the world.

I’m sure some of my Facebook statuses have been depressing and filled with rage for the past few months.  As it is the last year of my twenties, I finally decided to make changes in my life before I reach the big 3-0:  I quit my job at KMMC and am moving on to bigger and better things.


I have been working on an idea for the past few months that may prove to be quite fruitful – creating and running my own opera/performance company in India.  I have discussed it with Rahman and he’s on board.  Once I confirm the details with him, I will share it with you!  But know that I am very excited and happy.


Who knows if this will work out, but I am hopeful and very excited to move on.  (In India, ‘maybe’ seems to mean ‘yes’, ‘we’ll see’ tends to mean ‘not right now’ and ‘yes’ sometimes means ‘absolutely not’).  But if it works out, I’ll be doing what I love, have the power to make creative and administrative decisions on my own, and not be weighed down by negativity and politics.  I also will be completely autonomous (Hallelujah).

Cross your fingers and send positive vibes.  I need them.

Monday, April 4, 2011

Teaching

I now spend almost every day of my life teaching - Classical repertoire, Choral, Musical Theatre, Academic skills, etc. Most of the time I forget why I do it and what it does for me. But every so often there's a moment of realization and poignant understanding of the effect and purpose of my actions. In my opinion there is a gentle balance in life. I generally strive to give back as much as I take. Yes, since I've been living in India, I have lived quite the extravagant lifestyle: 5-star dinners, tropical vacations, driving around the countryside on my moped and loving every minute of it. Sometimes I take these things for granted and more often than not, the poverty of Chennai and the modest lifestyles people lead here fill me with guilt and despair. But every now and then, I realize that I am giving back; that I do effect people on a daily basis, and that I am cultivating knowledge and talent through a universal language: Music.

There's nothing quite as fulfilling as introducing a new world to another person. The students at KMMC don't quite know what they're getting themselves into when they join KM. They have never heard Western Classical music, and their knowledge of western music in general is Shakira and Lady Gaga. And usually, in the beginning of their Foundation year, their eyes fill with doubt and cynicism when I begin to teach western technique and make them listen to lieder, chanson, and operatic arias. But at some point during the year, there is a moment of realization: the moment when their eyes begin to sparkle when they hear a new piece; the moment when they can make their own connection between Hindustani and Western technique; the moment when they decide to take their own initiative to learn something new based on what I've taught them. That moment is what every educator waits for. It is inspiring.

If you haven't seen it already, below is what I have been working on for the past three years. I am proud of my students for the work they have put in, and proud of myself for sticking it out and giving it my best. Enjoy!


Go to the KMMC youtube page for more!



Thursday, December 30, 2010

Sa Re Ga Ma Pa

My student Mugdha Hasabnis made one final appearance on the Sa Re Ga Ma Pa finale!

Thursday, December 23, 2010

Semester Break 2010 (Part 1)

Varanasi:

In 1898 American author Mark Twain wrote about his visit to Varanasi: "Benares is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together."

Considered the center of the earth in Hindu cosmology and the holiest place in the world, Benares lies in the Indian state of Uttar Pradesh, 200 miles southeast of Lucknow. It is one of the oldest inhabited cities in the world.

I realized earlier this year that I hadn't really travelled outside of Chennai in the (almost) three years that I have been living here (gasp!). The first year I was trying to get used to Chennai, period. The second year, I was fortunate enough to get some wild gigs outside of the country and travel with my parents and friends around the south.

I decided this year that I would focus my attention on the north: northern cuisine, culture, and religion. For the semester holiday, I booked my ticket and pilgrimaged to Varanasi; the center of Hinduism; the religion I grew up with. We flew to Delhi and then took an overnight train to Benares. I am not quite sure what I was expecting. The city of Varanasi is revered as the center of Hinduism and given quite a bit of importance in the country - I was expecting a small ancient town, well preserved and immaculate. I expected to see a city that was protected by the public; its significance and honor maintained by government protocol. The city of Varanasi is described in both the Mahabharat and Ramayana and should be preserved as a national religious and tourist destination.


It's not. It's actually a giant heap of poverty, disillusioned temple-goers, and death.

I was told by many who went before me, that once I reached the holy city, I would feel an 'energy in the air'; that I would feel hopeful and optimistic; energized by the spirituality. I didn't. Don't get me wrong. I am not one of those westerners who criticizes everything unclean; who carries hand sanitizer in their back pocket; who brushes their teeth with aquafina, and who cringes at everything uncomfortable. But I live in Chennai and I feel the optimistic energy of Chennai on a daily basis. I did not feel that in Varanasi.

While the ghats were spectacular and extraordinarily interesting for Kavita the tourist, Kavita the Indian felt sad and lost at the sight of women and men bathing in one of the most polluted water bodies in the world. The odor of waste and the stench of death hangs low over the river. We took a canoe through the river and watched the activity: men and women washing clothes, bathing, holding poojas, throwing ashes into the water, burning dead bodies covered in orange cloth. I watched fly covered stiff corpses float by our boat and saw demonic crows pecking at dead children floating face down in the opaque brown water. And I saw the navwallas dip their hands into the same putrid water and aggressively take a sip to quench their thirst. I was simultaneously fascinated, disgusted, and impressed.

We paid Shankar-the-auto-driver (let's call him S.T.A.D.) 300 rupees a day to take us around the city for three days. We visited temples, took boats out onto the ganga, drank bang lassi, and even watched a snake charmer, but the best part of the entire trip was by far the street food. Oh. My. God. We asked S.T.A.D. to take us to eat a typical street breakfast and he took us to eat poori bhaji at a roadside stand. Dripping with oil, the thick moist pooris were incredibly satisfying to dip into the bowl of bhaji. We ate with our hands on dishes made of dried leaves and then washed our hands with water from a bucket sans soap. The stand owners eyed us curiously as I awkwardly took pictures of the situation. We then walked across the street and ate sweet pan which was fragrant and delicious.

The trip was worth it, but I left three days later feeling unsatisfied. If you are a religious person, Varanasi might have had a different effect on you. But walking through temple lines; being squashed by hoards of people on every side of you pushing and shoving to get through, and having angry monkeys throwing food and flowers left and right, was not exactly what I consider to be a spiritual experience. Plus, because of the recent bombings and terrorist attacks on temples in Benares, the security at every temple was fierce. We were frisked, prodded, and searched thoroughly before entering. Not fun.

Next stop: Mumbai. Stay tuned.

Sunday, December 19, 2010

Opus Delectable

I've decided to relaunch my food blog. It will be a culmination of recipes, quick and easy semi-homemade goodies, restaurant reviews, and chef reviews. YUM.
Check it out: www.opusdelectable.blogspot.com

Enjoy!

Sunday, November 28, 2010

Diwali 2010

The astonishment never ceases! India continues to surprise, bewilder and amaze me regardless of how long I have been here. What starts off as a typical day can turn into the best or worst day ever. What I normally see as mundane and average, suddenly becomes new and exciting. Relationships that I thought were a lost cause suddenly spark into respectful and happy friendships. And the religious holidays that I had lost interest in experiencing, unexpectedly become the most wonderful and memorable moments of your life.

That is India – unpredictable, chaotic, and beautiful.

If you’ve been reading my blog, you know that last year I didn’t have the best time during Diwali. What was supposed to be an exciting time with close friends and roommates during the Festival of Lights turned into a hellish nightmare of fire, flooding, and a grueling legal battle with an angry landlord. A neighboring child had lit a firecracker on the street that hit our roof – our roof made of straw. (A roof made of straw you ask? My roommates had covered the open roof deck with a thatched hut). The stray firecracker hit our roof, burst into flames, and when my roommates, friends and I returned to the house after dinner, we found our blackened, charred roof on the street – water flooding the house, and no electricity. With candles, towels and brooms, all of us pulled up our sleeves, got on our hands and knees and mopped up the mess. All I can say is: thank god houses in India are not made of wood!

This year however, my friend Ayesha invited me to Delhi and invited all of my friends from KMMC. So we set off: Jimmy, Brian, Christy, Emily and I to Ayesha’s house in Vasant Vihar. I finally experienced my first real Diwali in northern India – (I chuckle to myself as I reflect on my only experiences with Diwali: Konkani Diwali functions dancing to Bollywood songs hardly having any religious or cultural relevance to the Festival of Lights – then eating Dhalitoi and sheeth). We arrived on Friday morning and after taking some time to rest, we went to Ayesha’s parent’s office where they were holding a Lakshmi pooja for prosperity, wealth and good health. That evening we came home, dressed up, and spent the evening lighting firecrackers in their front yard and on the street. It was truly the most exciting Diwali I’ve ever had.


The next day Ayesha took all of us out to Chandni Chowk to experience Old Delhi. I’ve been to Delhi many times now and honestly, up until that point I hadn’t been very impressed with it. To me, it has always looked and felt like suburbia hell. It doesn’t have the bustling energy of Bombay, or the small town feel of Chennai. But when Ayesha took us to Chandni Chowk – I understood. The streets are filled with kind, good-natured people. The architecture is interesting, and differs greatly from one building to the next depending on religious origins and British influence. The Red Fort is majestic and stately. And the food – oh the food! We stopped at the famous Parathe Wali Gali and feasted on stuffed fried parathas that ranged from aloo to banana. Oh. My. God. The banana paratha was probably one of the most heavenly things I’ve ever eaten. Then at the end of the street we shared a pista kulfi falooda. I don’t even like kulfi, but man! That was amazing.



We spent the next day relaxing at home and having an amazing home cooked lunch of baingan bharta and rogan josh.

All in all the Diwali weekend was a blast. Unfortunately, we all had to leave on Sunday and prepare for another grueling week at KMMC. But there was light at the end of the tunnel. Next stop: Varanasi.

To be continued…

Tuesday, November 9, 2010

Huduga Hudugi

It's nice to finally see the fruits of your labor. By fruits, I mean money, and by labor, I mean 15 minutes of singing: for a ridiculous amount of money. Well, not so ridiculous... but ridiculous for 15 minutes of work. In any case, in a former blog post, I think I mentioned that I had done a recording session last year for a Kannada film. Well the film is coming out in a month or so, and I just heard the song that I sing in. Again, it's like 10 seconds of operatic singing in the middle of an upbeat dance number. Random, but funny! I had a really fun time recording for Mr. Joshua and hope that there are many more where that came from!

From the upcoming Kannada film: Huduga Hudugi
I can't upload it onto Blogger until the film comes out. If you want to hear it, email me!

On a totally different note, I learned how to make parathas! (Good ones).